Thought SPWM 2026 was over? 

Surprise! SPWM Mag is Back!

Surprise! SPWM Mag is Back!


/Issue ⑪

It’s your editors, Chrystal and nor


We’re delighted to share with you the first of three issues for SPWM26’s Magazine, in a year that marks the community’s shift from Facebook to Discord, with a new Senior Mod team comprising poets with recently published collections. In these issues, we hope to celebrate SPWM26, by spotlighting the rich variety of responses from participants over the month, and the larger writing ecosystem and processes that SPWM plays a part in. 

Also, a huge shoutout to everyone who participated, whether you shared thirty poems on Discord or attempted the prompts in the privacy of your notebooks, as well as the wonderful team at Sing Lit Station and our Junior Mods, whose tireless behind-the-scenes work makes this hectic event possible every year! 

As two first-time Senior Mods, we were fascinated by how expansive the prompts were, and the wide range of responses that participants came up with. We were also intrigued by the resonant themes recurring across prompts—all of which were independently designed!—and the common threads that arose in poems responding to seemingly unrelated prompts, speaking to our shared preoccupations and concerns as a writing community. 


For this first issue, we want to take a closer look at how the daily writing prompts came to be. To do so, we invited our fellow Senior Mods to join us in providing a behind-the-scenes look into this process. In a serendipitous fashion, we chose prompts from each of the three prompt categories this year: sponsored prompts (Shivram on Day 17: The Big Debut Prompt), prompts inspired by our writing interests and practices (Kimberley on Day 29: The I Have Loved Everyone I've Met Prompt, and Sher Ting on Day 20: The Artsy Prompt), and prompts derived from our recently published collections (nor on Day 4: The Lost in Translation Prompt, and Chrystal on Day 12: The Strawberry Prompt). 


In these mini Q&As, we asked each Senior Mod to share how they conceptualised each prompt, the types of responses they expected, and the poems that surprised them, sometimes by defying these expectations. We also spotlight some Senior Mod picks of memorable poems, as well as those with lines that they wish they had written! 


We would also like to announce that there is now a SPWM Prompt Generator on the Sing Lit Station website! This random generator contains prompts from all past SPWMs since 2014, for when you are facing writer’s block, when you need inspiration, or when you feel nostalgic for the rush of SPWM, so aptly encapsulated in these following lines: 



“weren’t we only just celebrating words?

cool nights at nine sharp waiting for the prompt

will we be sparring - metaphor as swords?

too many drafts are sighed at, scrapped, then stomped!”

Gan See Siong, “I love everyone at SingPoWriMo” (SPWM26, Day 29)



We hope that you’ll enjoy this behind-the-scenes view of SPWM from the Senior Mods’ vantage point, as well as our selection of poems in this issue. See you in the next one!

 

Day 1 - 6

Day 1: The First and Only Prompt

Day 2: The Roots Prompt

Day 3: The Roll Call Prompt

Day 4: The Lost in Translation Prompt

Day 5: The Pure Intention prompt

Day 6: The After The Fire Prompt

nor (they/them) is a multidisciplinary artist whose works situates identity and community within speculative timelines through frameworks of gender performance, ethnographic portraits and transnational histories. nor is the author of homesick (Ethos Books, 2025) and Ginsberg, sing me jiwang song! (AFTERIMAGE Press, 2025).

Day 7 - 12

Day 7: The Clear Day Prompt

Day 8: The End is the Beginning Prompt

Day 9: The Filem-Filem-Filem Prompt

Day 10: The Rules Are Meant to Be Rewritten Prompt

Day 11: The Subterranean Singapore Prompt

Day 12: The Strawberry Prompt

Chrystal Ho is the author of Elsewhere, the Cosmos Cracks (AFTERIMAGE Press), a 2024 Gaudy Boy Poetry Book Prize finalist. Her poetry and nonfiction, which explore the connections between myth, language, and the environment, have been published in Portside Review, PR&TA, and Sine Theta Magazine, among others.

Day 13 - 18

Day 13: The Accountability Prompt

Day 14: The Poh Huat Prompt

Day 15: The Intuition Prompt

Day 16: The Frequent Flyer Prompt

Day 17: The Big Debut Prompt

Day 18: The Dey Prompt

Born in Chennai, India, Shivram Gopinath is a two-time Singapore National Poetry Slam champion who enjoys facilitating workshops on poetic voice and expression. His debut collection, Dey (Ethos Books, 2025), draws on Tamil cinema tropes to reflect on the absurdities and aspirations of contemporary Singapore.

 Day 19 - 23

Day 19: The Nostalgia Prompt

Day 20: The Artsy Prompt

Day 21: The Parsley Prompt

Day 22: The Insomniac Prompt

Day 23: The Foodie Prompt

Sher Ting is a Bread Loaf Conference, Kenyon Review Winter Workshop and Tin House Winter Workshop alumni. She has work published/forthcoming in Ploughshares, Prairie Schooner, Pleaides, Ninth Letter, Gulf Coast, AGNI and elsewhere. Her full-length poetry collection, Burn After Dawn, is published with Landmark Books. She tweets at @sherttt and writes at sherting.com.

Day 25 - 30

Day 25: The Pain Prompt

Day 26: The Island Project

Day 27: The Spellcasting Prompt

Day 28: The Board Game Prompt

Day 29: The I Have Loved Everyone I’ve Met Prompt

Day 30: The Folklore Prompt

Kimberley Chia Qin (she/her) is a writer and performance artist who seeks to nourish and archive. Her poetry has been published in ANMLY and Sine Theta Magazine, among others, and has been nominated for Best Small Fictions and Best of the Net. She debuted her multidisciplinary spoken word and dance set at triple bill Out and Up 2025, and her debut poetry collection Hot Girls Have Stomach Issues was launched in April with AFTERIMAGE Press.

 

Issue 11 Features