"MY MOTHER HAS THE MOST PAGGRO METAPHORS", Low Kian Seh

“wake up, it is already noon;
the risen sun is illuminating

your ass” she says, back to 
dark sky, koel in disagreement.

she force-feeds with rice by
the heap, recounting labour 

she did not put in for harvest,
painting a picture of starving

Ethiopians I am letting down,
for she describes me equivalently 

skin and bones, stuffing spare 
tummy into my shorts barely

fitting. she has accused me
of murder: weapon, report book;

modus operandi, homicide by 
anger. when cross-examined, 

I am judged to might as well have
killed her myself, besides

disgracing forefathers who never 
should have sailed here, now turn

in their graves. she transforms 
into receptionist, whenever I check

in and out of this hotel named 
home, and as trip advisor, suggests

an extended vacation at my friend’s
place instead — with luggage. 

when I return, she will generously 
round off my clock-in to midnight 

while questioning her very existence:
if she falls at home and I am not around

to hear it, does she make a sound?
if I am not a doctor, is she even a mother?

/ Low Kian Seh is a chemistry teacher by occupation but has poetry as preoccupation. For the love of the craft, he writes, despite being a busy civil servant and father-of-three

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